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01.09.07 Music Theory 101: Scale Degrees

A couple people have shown interest in geeking out here with some music theory talk.  That’s what my degree is in so I can geek out for sure.  Let’s start simple though.  Here’s a basic premise to begin with that forms the foundation of everything else in music theory:

Our Western scale (a major scale) has eight notes in it.  Let’s say you’re starting on the note “C,” for instance.  To build a C scale you’d play these notes in order from lowest to highest: C D E F G A B C

That’s a major scale.

Now, give each note a number from one to eight:

C is 1, D is 2, E is 3, etc.

These numbers are “scale degrees.” The fourth scale degree in the C major scale is F; the seventh scale degree in a C major scale is B, etc.

Now, build a chord on any note in the C scale using other notes from the C scale.  A G chord, for example starts on G and uses every other note: G B D.  That’s a G major chord.  It can also be called the five chord (often written as 5 or V on a chord chart).  In the key of C (in the C scale) G is the fifth scale degree so it’s chord is called the five chord.

In the key of C, a D chord would be the two chord (written 2 or ii); the E chord would be the three chord (written 3 or iii).

Next time we’ll get into what makes a chord major or minor and how that changes how it’s written or notated on a chord chart.



There are (5) comments.


said:

This is great, Shaun.  I’m learning.  I love it.

This is an honest question - was I wrong to think that the D chord wasn’t in the key of C?  I thought Dm was in that key.

Thanks.


Posted  on  01/09  at  05:09 PM


Stephen @ Rebelling Against Indifference said:

Elijah, you are correct that a D major chord does not fit into the key of C.  But notice that Shaun so far has just specified the letter name of a chord, without going into modifications like major, minor, diminished, and augmented.  Although in his example he did call the D chord ii, when if he had been talking about a major chord he would have written II.


Posted  on  01/09  at  10:40 PM


said:

I had no idea.  I was wondering why he wrote the G chord as “V” and the D and E chords as “ii” and “iii” respectively.

Thanks.


Posted  on  01/10  at  06:57 AM


Shaun Groves said:

Thanks for clearing that up, Stephen.

Yea, it’s hard to teach theory - for me anyway - without taking just a little at a time.  But the thing about that is that it begs questions we can’t answer just yet.  We’ll get there though.  I promise.

SG


Posted  on  01/10  at  02:07 PM


Stephen @ Rebelling Against Indifference said:

When are you going to get to the neapolitan chord?


Posted  on  01/10  at  02:25 PM


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